
You can receive this: “on whatever sphere of being
The mind of a man may be intent
At the time of death”—that is the one action
(And the time of death is every moment)
Which shall fructify in the lives of others: — TS Eliot, “The Dry Salvages”
When I was seven years old I was abducted by aliens. You don’t have to believe me. I’m being as honest as I can, but everything – everything – in the retelling becomes fictional. What is an alien anyways? I can only observe a small bandwidth of stimuli even at my best. And from what I Can see, I only remember a smaller fraction. And of those memories, I can only stitch together the few that make the most sense to me. And when I realized this, I no longer bothered to distinguish between fact and fiction, but only between honest and dishonest fiction. And I’m being honest about something I encountered, even if the event itself is little more than an unreliable dream now, distorted by years of confusion and fear.
Despite all that, I can recall the honest facts, which are given shape by a kind of fictional wrapping paper. Without the shape of the fiction you would see nothing. The experience remains untranslatable otherwise. But look through the paper to see what I mean.
I remember waking up in the dark room and feeling a pulsing heat or color or emotion. I could describe it as any of these, or by a thousand other words, but look, this is what I meant: the fictional telling gives an unavoidable skew to the memory. Words are always distortions, and when I don’t keep that in mind I become delusional with certainty. I become entranced by a hall of mirrors and can’t see through the complicated reflections to the actuality that is nature’s complex simplicity. Complexity and complication are very different. For it’s the simplest thing to sit quietly on the land. And yet it remains the most complex world of microbes, fungi, trees, and birds, with no ceiling above us, only endless space.
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