Part 2 of Imagine the Limits of the Imagination: A Proprioceptive Mirror

The Man Who Mistook Himself for His Dog
The Man Who Mistook Himself for His Dog

The Three Oddest Words

When I pronounce the word Future,
the first syllable already belongs to the past.

When I pronounce the word Silence,
I destroy it.

When I pronounce the word Nothing,
I make something no nonbeing can hold.
— Wislawa Szymborska

This is a continuation of part 1.

There are two very different ways of reading the phrase “imagine the limits of the imagination.”

One way is to assume that we’re trying to imagine what lies “beyond” imagination. This sets up a double-bind: trying to think beyond thinking; trying to speak about silence. It’s like asking that creature from part 1 (who can only hear) to describe a world of sight. It can’t be done.Read More »

Imagine the Limits of the Imagination (Part I)

From Supernatural Magazine
From “Supernatural Magazine”, used without permission (please forgive)

I want to write simply, but the pathways of habit, belief and assumption that I’m trying to describe are entangled. I’m not interested in trying to dis-entangle each strand. I’ve never been able to untangle a hose let alone a mind. But there’s a difference between thinking your way out of a mental entanglement and letting the entanglement unravel of its own accord. I can’t think my way out of a wet paper bag. But it’s easy enough to fall out of one.

It’s a lazy man’s way of learning. Keep going along the usual twisted pathways, but be alert enough and precise enough in the description to at least “embarrass” the habits of thinking into “thinking twice.” This is a small part of what Jeppe means by “refiguring,” and an aspect of the plasticity that Tony refers to. And it’s a small part of what I tried to describe in the manifesto as “second sight.”Read More »

A Moment to Drift


One Last Preparatory Post

It’s been interesting to reflect on the change I’ve felt after posting that long introductory “manifesto.” I’m tremendously grateful to the people who read the thing closely. (Special thanks to Tony Dias, Jeppe Graugaard and Brian Shampnois). It feels like a great privilege to have found even one person, let alone a half-dozen, who rigorously engaged the piece. And I suspect that the ideal size of this pool of perceived readers corresponds to David Bohm’s ideal pool for dialogue – between 5 and 25. I can’t realistically picture more than that without the voice becoming vague and almost political in character (as if I were making a public speech).

I never used to think I needed anyone to read anything I wrote apart from the one person to whom I was writing. But that person’s attention has been wavering of late (it was my dog). And I know now that the quality of attention I’m able to put into this thing is dependent on the quality of attention of the reader. And this is a strange thing to realize: I can’t say certain things unless I know there’s someone there who understands what I mean.Read More »


Photo from “Truth Theory”, online magazine

In memory of Pat Styer

The Writer(s)

I’m having more trouble than usual picturing the reader. This project will lead me far from my usual comic shticks. As I leave my comfort zone, sneers and arched eyebrows appear on the imagined face of this unfamiliar reader. And it’s not helpful to focus on the few familiar faces out there. They differ so much from one another that it makes me nervous.

It reminds me of being at a party. With respect to each person I act and feel completely differently. Talking to all of them at once builds a mini-Babel. There are awkward silences interspersed with comments bordering on Tourette’s. Editing does wonders.
I’m uneasy because I don’t feel any overriding persona I can lean on like an old friend.

I’m a shifting perspective exhibiting the personality implicit in whatever angle of view happens to be momentarily dominant. (And that wasn’t a good way to introduce myself to girls at college).Read More »