Why Am I Writing?

Photo by Aaron Burden

I don’t write because I know something. I write because I don’t. This is the narrative of someone who isn’t fully developed and never will be, and who sees things partially.

Writing occurs when a growing tangle of questions (or contradictions between my everyday life and a wider, less self-defensive perspective) becomes uncomfortable, much like a hairball in a cat. So I’m forced to disgorge this tangle in the form of yet another story or essay.

However, it’s not as if there’s a Right answer to anything and all undeveloped perspectives are simply sophomoric. Every definitive conclusion to my questions and contradictions would remain sophomoric (I remind myself), because there is no positive answer, only negative observations (of what is not true).

But this absence of certainties doesn’t imply the absence of honesty. At any stage of development, at any consistent depth of perception, I’m honest to the degree allowed by that particular depth. At a certain depth, the honesty may be only verbal. At another it may be more behavioral (trying to live up to moral codes and such). Or at still another it might be self-lucidity, the ability to recognize the persistent failure to live up to codes, and the kindness inherent in not trying to be perfect anymore, which is an honesty that exceeds morality. They’re all forms of honesty, but some reach deeper.

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The Nincompoop and the Better Angel or Taking the Red Pill or Rambling (Uncontrolled) Notes on Chaos and Control

red pill


Let this entry be chaotic and disorderly. I’m tired of writing in a suit and tie. Tired of this formal voice.

Now it’s time to drift into deeper topics so that I might get as close as I can to a real movement, not the idea of a movement. Everyone’s probably heard Korzybski’s “the map is not the territory”. If this is understood as a concept then it’s not really understood at all. As a concept it’s merely another “map.” To really understand what he means the statement has to initiate a full stop, which is an action, not an idea or concept, not another map. I’m trying to write essays that run into the limitations of thought, which would initiate the action of negation, rather than the positing of ideas or concepts.

I’m not sure I’m doing very well yet. But for some reason I can’t stop trying.

So when a new meaning (which is a new way of being) eludes me, remaining tantalizingly close but still too vague to realize, I feel compelled to write. But writing involves not writing for the most part. I wait to catch myself in the act of some relevant stupidity. Then the writing draws attention to this movement of stupidity, and mainly by negation (the elimination of assumptions that divert my attention) I get closer to what is happening.

I’ll place the various negations I encounter in bold.

I wish the writing didn’t end up so f’ing complex, but in reaching for the thing that is just beyond my grasp there are no precedents. I’m always pushing into the dense underbrush of my own unconscious habits, where the new movement distinguishes itself (if I’m patient).

I don’t write knowing anything, but the writing itself allows me to discover things, so that I end up sounding as if I know something after all, which is a lie. But I can’t seem to avoid that lie just yet, so I’ll expose it up front.

(You might say I’m distinguishing “discoveries” from “knowledge” and I am. The first is a negative discovery that pries me loose from blind assumptions, leaving the questions more open-ended; and the other positive certainty (knowledge).

One of the most tantalizing movements that I’ve never had enough patience to focus upon fully is the relationship between chaos and control. It’s a fascinating oddity: Order emerges by realizing one’s own disorder. Or honesty is the realization of dishonesties. Cosmos is the realization of Chaos.

This means the honest fool, who lives close to their own foolishness, never hiding from their mistakes, is a far more interesting and worthwhile companion than the intelligent person striving for the perfect theory or behavior.Read More »

An Honest Fairy Tale


Burlingname Falls

Once upon a time a little girl was walking down a dirt road, beside a lively creek. There were five of them traveling together — the road, the creek, the dog, the grandmother and this girl – and they were all dancing their way to a waterfall, which is where the road stopped and Pan’s kingdom started. A few staggering clouds came along too, out of curiosity. And if the girl had entered paradise at that moment it would have felt like a let-down. The wilderness beyond the waterfall, and its mysterious beasts, which she knew from stories her grandma would tell her, would have lost their beguiling danger — that spice of potential doom, which the cooks of paradise always seem to forget.Read More »