Defeating the Predator (Castaneda): The Limits of Insights and Convincing Ideas

Thanks to Dirk’s House of the Sun for the image and for interesting commentary: http://www.soul-guidance.com/houseofthesun/predators.html

“We have a predator that came from the depths of the cosmos, and took over the rule of our lives. Human beings are its prisoners.” …

From “Active Side of Infinity”, but Carlos Castaneda

Intro

I hate the loneliness of dishonesty, when I’ve broken some intimate connection with another by holding a poisonous secret. Or maybe it’s the loneliness of being trapped behind a false front, invisible to everyone.

I want to get down from the high horse that writing seems to conjure, because it’s not honest. I’m a mess too. I’m crawling around in the mud after having fallen off my high horse for the millionth time, crouched down among the dirty socks and muddy water, as you are too, nudging you in the ribs to ask “what the fuck is happening here?” Candor is what is needed now, and sometimes I don’t know how to be candid.

It makes me want to shout, like Ronny Cammareri, “I’m not a monument to justice!”

Here’s what I think is happening: We’re facing ourselves in the flesh, you and I, slowly maybe, but the world is forcing the issue, as we hit limits in every direction. We’re being forced to face ourselves without false fronts. In fits and starts to be sure. And as a percentage, not many of us, but millions here and there, now and then.

And this means we’re breaking now and then into a kind of impersonal point of view, where my sense of Self, my wooden character, my public persona, is coming apart at the seams. And this is good news, but it makes for a very chaotic person, who takes things personally, like a puppet of reactivity, in one instant, and then impersonally, and with unflustered bemusement in the next.

I feel like Pinocchio, parts of me feel almost alive at times.

Negative Knowledge and the Eruption of a Metaphoric Mentality

This essay is fictional. Not in the way fiction is usually defined. But this voice – anyone’s voice, even a scientist’s voice – is the invention of a framework that puts experience in a particular slant and color. And there’s no way to avoid this.

Nothing can be discussed or known without being painted in some fictional color. Even the colorless voice of a realist is a fictional application of colorlessness.

Phrases like “everything is this…” and “nothing can be that…” sound reductive and dogmatic. But in this case I’m talking about what can’t be known, not what can. Reality is unknowable. Stories are all that’s known.

In other words, claiming to know anything conclusive about the nature of reality is a sign of bullshit.

And knowing what is bullshit is a fundamentally different kind of knowledge. It’s not reductive, but expansive, because this discovery releases perception from cages of certainty, and awakens a questioning or metaphoric spirit.

“And I said, with rapture, Here is something I Can Study All My Life and Never Understand!”

Here’s something very hard and extremely simple at the same time. A beautiful paradox. But it’s not an idea, that’s the hard part in a sense. Because we’re oriented to wanting some static knowledge that we can claim as ours. But knowledge is actually very difficult to process or really understand. To hold the idea that I’m selfish, for instance, isn’t the same thing as really facing my own selfishness. Real intelligence is honesty, not intellect.

Sometimes self-knowledge is a false cover, confirming our tired old convictions. But real self-knowledge is critical self-awareness.  No firm conviction can survive the irradiation of critical (or negative) awareness. After all, I’m only being honest when I recognize that I can’t actually know anything for sure. The world is infinite, and my brain only measures a few measly inches. So being certain is a way of lying to myself, saying “reality is here in my grasp.” What I grasp is already past-tense, static and artificial.